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Welcome to my blog. I document my adventures in travel, fashion, and academia. Hope you have a nice stay!

Imogen at the Globe

Imogen at the Globe

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London in October seems to have become a mini tradition. I went to visit A last year, and we went again almost on the same dates this year. Part of the tradition also seems to be going to different plays while we're there. Last year, we saw Measure for Measure at the Young Vic with Romola Garai, and this year we traveled to London in order to see Harry Potter and the Cursed Child. We had our suspicions that it would be terrible, so we also decided to see Emma Rice's Imogen at the Globe to balance things out. 

I'd never been to the Globe before this, while A is somewhat of an addict, going on every Shakespeare trip his university offers and having seen every Globe production so far this season. Needless to say, he was keen on our going. I was a bit skeptical at first, not because of Emma Rice, but because I can easily get bored with Shakespeare productions. I've been to my fair share of RSC productions over the past few years, but it took me some time to come to terms with the fact that I wasn't enjoying them so much as telling myself that I had to enjoy them (or, well, enjoying being in the same room as David Tennant). I'm an English lit postgrad after all. I may not be an Early Modernist, but like, how dare I admit that I'm not huge on Shakespeare and expect to be taken seriously? But seriously, I'm not huge on Shakespeare, and I'm not scared to admit it anymore. I enjoy the pop culture around him and his work (like Upstart Crow this year? I loved that), I enjoy watching some of the plays, but I dislike reading them and I need the ones I watch to be really good, engaging productions. 

And that really, really was the case with Imogen. I should have known based on the title and Emma Rice's reputation alone. Imogen was a reclamation of Cymbeline, placing more weight on the female characters and adapting it to a more modern setting. I know a lot of people are mad at Emma Rice for stepping away from traditional Shakespeare (and I absolutely get that in relation to the Globe's historic function), but I for one am glad that the first production I attended at the Globe was one of hers. I enjoy Shakespeare much more when it's been updated and made more relevant. Every moment of the play was engaging and almost over-the-top and I don't think I zoned out at any point. A bitter old couple sitting behind us were horrified by the whole thing – including one moment at the end when the audience booed the conservative government, and I tend to judge the innovative success rate of any production based on how horrified traditional old people are. 

ll in all, I'm happy that we went and I'm tempted to tag along on A's next Shakespeare trip... at least to London... to see what else Emma Rice does next summer.   

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The Courtauld Gallery

The Courtauld Gallery

Quiet

Quiet